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The Well Adjusted Musician — Dr. Jenene Cherney Coming Soon

The performing arts
has a health crisis.
It's been calling it
dedication.

She was a musician at the Phoenix Symphony. There was no single injury anyone could point to. It was accumulation — one unreported strain at a time, year after year, with no proactive structure in place. By the time her body said enough, her career was already over. She never had the agency to decide when she was done. The instrument decided for her. This is the book that names what's been happening — and lays out exactly what changes when institutions finally decide to act like the artists are the instrument.

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♩ No spam. Just the book, a preview, and the conversation the performing arts has needed.

This is not a wellness book.
It's a reckoning.

The performing arts has been managing a health crisis by pretending it's a character trait. Pushing through isn't resilience — it's a system failure. And it has been costing musicians their careers, their bodies, and their creative lives one unreported injury at a time. This book makes the case that it was never inevitable. And it lays out exactly what changes when institutions decide to act like the artists are the instrument.

Cellist with ice pack backstage
The body

A professional athlete gets a recovery protocol. A professional musician gets told to ice it.

The performing arts has operated for generations under a quiet assumption: that great art requires extraordinary sacrifice from the people creating it. The music survived. The musicians paid the price. This book starts there.

French horn player in flow state
The nervous system

Your nervous system is the instrument behind the instrument.

Fine motor control. Breath regulation. Proprioception. Cognitive clarity. Expressive range. Flow state itself. Every element of performance runs through the nervous system — and almost no one in the performing arts is taking care of it proactively.

Neural network and muscle anatomy visualization
The science

What's being lost before the injury ever happens.

Nervous system dysregulation doesn't announce itself as injury. It shows up first as limitation — in range, in stamina, in presence, in the quality of what reaches the audience. By the time it's a diagnosis, careers have already been shortened.

Empty concert hall with music stand
The institution

One prevented injury pays for a year of proactive care.

The financial case is not complicated. What's been missing is the language, the data, and the blueprint to make the argument internally. This book hands administrators everything they need to act on what they already suspect is true.

Musicians laughing together backstage
The future

What the performing arts looks like when it finally takes care of its people.

Not a utopian fantasy. A documented, replicable, financially defensible shift — from reactive sick care to proactive performance sustainability. The orchestras of the future will be built differently. This book shows you how.

"A musician playing from genuine presence can find the invisible thing inside a listener. That is not entertainment. That is medicine. And the chiropractor is not the metaphor. The chiropractor is the infrastructure."

— Dr. Jenene Cherney · The Well Adjusted Musician

Dr. Jenene Cherney

About the author

Dr. Jenene Cherney

Dr. Jenene Cherney is a chiropractor, French horn player, and former orchestral administrator who spent fifteen years watching performing artists push their bodies past the point of sustainability, with no proactive structure in place to address what was quietly accumulating.

She is the co-owner of Long Island Sound Chiropractic in Oakdale, New York, Long Island's most vocally LGBTQIA2S+ affirming chiropractic practice, and the founder of Arts Unmuted, LLC, which brings chiropractic-centered wellness integration into performing arts organizations through the Injury-Free Orchestra Program.

She has worked with the Phoenix Symphony, the Milwaukee Symphony Orchestra, the Albany Symphony, the Santa Fe Opera, and the Philharmonic Orchestra of the Americas, as well as local theatres, opera houses, ballet companies, and choral organizations including the Phoenix Symphony Chorus and Albany Pro Musica. She is a business partner of the League of American Orchestras and a board member of the New York City Gay Men's Chorus. She is a recipient of the Chiropractic Philosophy Distinction Award — nominated by a cohort of Life University faculty who recognized in her a profound understanding of chiropractic's fundamental vitalistic perspective. Among them was the legendary Dr. David Koch, whose philosophy classes shaped the intellectual foundation of this book. Dr. Koch passed away recently, and this work carries his influence forward.

The Well Adjusted Musician is the book she had to live first. It is a clinical argument, a cultural indictment, an institutional blueprint, and a love letter to every musician who has been told to push through what should have been addressed.

The nervous system is the instrument behind the instrument. This book is about what becomes possible when we finally take care of it.

The body is intelligent.
Let's stop overriding it.

Get an excerpt preview, early access on launch day, and be part of the conversation that changes how the performing arts takes care of the people who make it possible.

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